The bullerengue is a musical, festive practice and a dance that is part of the most representative rhythms of the Afro-Colombian population. This musical style has its roots in Africa and is characterized by being a sung dance. Within the bullerengue, three representative airs can be distinguished: the sentao, which is a lament at a slow rhythm that is accompanied by the singer in a seated position to facilitate long phrases and intonation. The fandango, which is the most appropriate for the singer to highlight her vocal technique and is appropriate for moments of revelry. And the chalupa, which is based on the happy drum and is accompanied by shorter verses typical of parties and dances.
The costumes used in the bullerengue consist of long and colorful skirts with blouses and puffed sleeves. A scarf is worn around the neck and the hairstyle is adorned with red or white flowers. In addition, long white ball necklaces and earrings are worn. During the dance, the women file out onto the patio, clapping their hands high and taking short cumbia-like steps, maintaining an upright position.
The bullerengue music includes drums, a totuma with a broken earthenware plate inside, and the choir's clapping that accompanies the music. These elements create an energetic and festive rhythm that drives the dance and enlivens the celebrations.
In general, bullerengue is enjoyed accompanied by a homemade alcoholic drink called "ñeque". This drink is made with sugar, panela and alcohol, and it is a tradition at parties where it is danced and celebrated to the rhythm of the bullerengue.
In short, bullerengue is a cultural and artistic practice that represents Afro-Colombian identity. Their distinctive music, dance, and costumes reflect the joy, rhythm, and tradition of the Afro-Colombian community, enriching Colombia's cultural diversity.
